The winner of the Second Prize at the 2016 Queen Elisabeth Competition and the 2015 William Petschek Recital Debut Award from The Juilliard School, pianist Henry Kramer is establishing himself as one of the most exciting American musicians of his generation. His performances have been praised by critics as “triumphant” and “thrilling” (The New York Times), and “technically effortless” (La Presse, Montreal). After his Philadelphia recital debut, Peter Dobrin of the Philadelphia Inquirer deemed Henry "…a pianist of enormous talent” adding “[he] personalized interpretations to such a degree that works emerged anew. He is a big personality.”

”…a pianist of enormous talent…[he] personalized interpretations to such a degree that works emerged anew. He is a big personality.”
-Peter Dobrin, Philadelphia Inquirer

Henry has been invited to play with orchestras across the globe including the National Belgian Orchestra, Brussels Philharmonic, Calgary Philharmonic, Shanghai Philharmonic, Bilkent Symphony Orchestra in Ankara, Turkey, the Portland (Maine) Symphony Orchestra, the Orchestre Métropolitain du Montreal, and the Yale Philharmonia.  He has soloed under the batons of preeminent conductors Marin Alsop, Jan Pascal Tortelier, and Stéphane Dénève. In recent seasons, Mr. Kramer was featured in Beethoven’s Piano Concerto No. 3 with the National Orchestra of Belgium and Hans Graf, in Brahms’ Piano Concerto No. 1 with the Orquesta Sinfónica Nacional in the Dominican Republic, Ravel's Concerto in G with Gerard Schwarz and the Indianapolis Symphony, and Beethoven’s Piano Concerto No. 4 with Symphony in C. 

Mr. Kramer has been a guest performer in recitals at Portland Piano International (Oregon), The Cliburn Foundation, and the National Chopin Foundation in Miami and in important venues like Carnegie Hall (Zankel and Wiell), the Concertgebouw in Amsterdam, Queen Elizabeth Hall in Antwerp (Belgium) and BOZAR in Brussels.  Deeply committed to the chamber music repertoire, he has been featured in performances at Lincoln Center, and has participated in the Steans Institute at the Ravinia Festival, La Jolla Music Society’s Summerfest, Music@Menlo’s International Program, and the Verbier Festival Academy, where he was awarded the Tabor Prize in piano. He appeared on Ravinia’s Steans Music Institute tour, which included performances at Boston’s Isabella Stewart Gardner Museum and New York’s Morgan Library, as well as an unprecedented appearance in Havana, Cuba, as a cultural ambassador. This past summer, Mr. Kramer performed in the Orchestra of St. Luke’s Resonance Festival dedicated to the works of Schubert and also at the Salon Chamber Music Festival in Provence where he shared the stage with prominent members of the Berlin Philharmonic including Emmanuel Pahud and Daishin Kashimoto.

Dr. Kramer holds both a Master’s and a Bachelor’s degree from The Juilliard School and an Artist Diploma from the Yale School of Music where he received the Charles S. Miller Prize for the most outstanding first-year pianist. In 2018, he earned his Doctorate of Musical Arts from the Yale School of Music.  He has been the Iva Dee Hiatt Visiting Artist in piano at Smith College and also served as Assistant Professor of Piano at the University of Missouri Kansas City Conservatory of Dance and Music. His musical mentors have included Julian Martin, Robert McDonald, and Boris Berman.   Henry's first commercial recording dedicated to the Oratorio Transcriptions of Liszt was recently released on the NAXOS label.  Since August of 2018, Dr. Kramer holds the L. Rexford Whiddon Distinguished Chair in Piano at the Schwob School of Music at Columbus State University in Columbus, Georgia. Learn more at henrykramerpiano.com.